Friday, December 2, 2011

A D5100 named Zooey

Why lookie here. Prav's gone and got himself a DSLR. The cheeky monkey. He's even taken some photos with it.





























Nikon D5100
18-55mm
50mm 1.8

Thursday, November 10, 2011

A dream journal

I've always had dreams where I was flying, but this one was different.

It started in some arbitrary location, a field where a football game was happening. The referee was an old Malay man with a goatee. The kind you expect to wear a kopiah and randomly lecture young people on the dangers of hedonism.

He walks up to me and asks me if I can fly, and not knowing that this was a dream I say no. He says it's easy.

All I have to do is lift one leg off the ground, then lift the other.

My subconscious stole this line from Neil Gaiman's Sandman. My subconscious rocks.

I try to obey the old man, and unsurprisingly I start floating. I flap my arms furiously to generate forward momentum, and I'm off.

I pass through a generic cloud and sky backdrop, I wave to a generic kid in an air plane from the scene in all Superman movies where he's flying and a kid looks out on him from an airplane window in awe.

I go high enough that I can see the curvature of the earth, and I see the of fingers from a hand grasping the planet like a cosmic shot-putt. A man in a bowler hat cycles past me.

I fly by an impossibly tall apartment building, and inside a room I see an awesome party. I stop by the window and a girl offers me a line of coke arranged on a piece of glass. I take it, thank her and fly off.

After a while I come to a wall of water hanging in mid air, and I fly into it. Now I'm at the bottom of some ocean, at the back of a line of people. Everything is the midnight blue of sunlight diffused by miles of water. The group moves forward with a purpose. Heads are bent low, so I can't make anyone out, but I feel like I know them.

At some point we walk past the moon, resting on a moon-sized golf tee.

We eventually happen upon a convenience store. A 7-11 on the ocean floor. I head inside to buy a pack of cigarettes, and meet a girl I used to date. We share a few words and I head out. I ask if she's coming with us, but she replies that she's waiting for the bus.

I head back out the group, and we continue the trek.

We arrive at out destination after a dream time skip. A large, open auditorium with a stage decorated like a vaudeville show.

We take our seats, and there's suddenly enough of us to fill the place up. A man in a top hat is on stage and talking, but I don't pay attention. The curtain opens and there's an image of a galaxy on a cinema screen. All of us float upwards and towards the screen in unison.

We reach the screen and break through the surface of it, it feels and looks like mercury. I turn my head to the left just before my left eye breaks the surface, and I see the girl next to me has done the same, and is looking at me. She looks like Olivia Wilde.

Then it was done and I wake up feeling sad.


Sunday, October 30, 2011

Observations from the second funeral of my adult life

Sandalwood incense does it's best to mask the odour, but if you take a deep enough breath you can catch the sharp, earthy, metallic tang of embalming fluid.


There are three distinct classes of people here.

The people who are from the deceased's generation, crying and wailing out of grief, but every now and again flashing a look of mortal fear when they think no one is looking.

The people from one generation below, playing the role of the organizers and pillars of strength. They try to remain stoic by making themselves useful, but occasionally that dam bursts.

The youth of my generation stand about in the corners and corridors, trying to stay out of the way. The slightly older ones search their memories for some relevant, personal memory of the deceased because it's inappropriate to be bored at a funeral. The younger ones revel in their ignorance of any real idea of grief.


The sombre, sober tone of funerals seems to create the perfect atmosphere for business and political talk. If anyone needs to stress the importance of a point they just made they only have to turn their gaze on the deceased and somehow it becomes a profound statement of some sort.


I can't help but question those who have overly dramatic moments of mourning. Is it a cry for attention? Unless you're immediate family you need to let the deceased be the centre of attention for a while. That okay?

Funerals are for the living, not the dead. That is obvious to me now.

Tuesday, October 18, 2011

Everything is happening at such an amazing, warp speed rate. I haven't digested it all, and I don't have the the words to describe this feeling yet. But rest assured it's all happy, trippy, life affirming stuff.

I am where I need to be. I have what I need. I am in a state of mind that will make full use of this time.

dancedancedance

Singapore 2011

I've been going a little snaphappy with my college's Canon 550D.
I still need a lot of practice. The thought of practice makes me very happy.














Canon EF-S 18-55mm f/3.5-5.6

Friday, September 23, 2011

Observations from my first Singaporean week

1. I look morbidly obese on the MRT CCTV cameras. Here's hoping I don't hit on any attractive MRT personnel people during my stint here. My self esteem might not survive the damage.

2.Singapore has a teeny tiny airspace. This means the air force has to train in civilian air space. My inner child is very thrilled by the many many fighter jet fly-by's.

3. Locals walk everywhere at hyper warp unicorn speed. Yes hyper warp unicorn speed is a technical term.

4.Many locals wont give an Asian the time of day without flashing him a massive stink eye, but will suck white guy ass for peanuts. Lovely.

5. While riding in the MRT stand in the centre aisle with your eyes closed. The combined sensory stimuli of the wind rushing over you and speedy forward movement is truly exhilarating.

So far so good. So far so good.

Monday, June 6, 2011

Another revelation *tosses into growing pile*

A calming breeze washes over me as I stand at the brink, poised to jump into a fresh start.

I adore these moments because I can I allow myself to become optimistic and dream wonderful dreams about my new life and the people I will surround myself with. I'm counting on my ability to find genuine people in a flood of automatons. It has never failed me before, which is why I've always had wonderful, beautiful souls around me.

You guys know who you are. Yes, you too.

There are the exceptions, but even they saw fit to provide me with something concrete before disappearing.

More than anything else this crux I am at has reassured me that I am on the right path to discovering a universal truth. The weird part is that I have realized that there is no right path. Or a path at all.

“Freedom from the desire for an answer is essential to the understanding of a problem.”
"the moment we want to be something we are no longer free."
- J. Krishnamurthi

I have found a teacher, posthumously, in this man. J. Krishnamurthi has reached the enlightenment I strive for. But in understanding his views I have discovered the gaping chasm in my understanding of my own need for enlightenment. In striving for it I venture further from it. In wanting to be enlightened I close my eyes to the manifold paths to reaching it.

Paradoxically, I need to not need. I desire to not have a desire.

I know, I am still trying to twist my mind into the pretzel-esque shape it needs to be in to understand this idea fully.

The secret maybe lies in the pure joy of conversation, cos its only then that I can disconnect myself from the desire to understand and just expand my knowledge without pre-tense or mission.

In a conversation my mind flutters from idea to concept to joke to story, and without realizing it I have discovered something completely new. A concept that is bigger than the sum of its parts.

Zen Buddhism has perfected this kind of profound wordplay.The koan is both a record of past teachings and a catalyst for new, completely original revelations.

The arrow is stopped in flight - zen koan

This parable was the first to capture my interest. It tries to elaborate on a concept about the nature of time and space. That it is relative. That time is only a scale on which things happen and that scale can be as big or small as our lives. The arrow is stopped in flight because the space between the arrow and target doubles as the arrow moves forward. Thus the arrow seems unmoving.

Without judgement I say that people who don't converse freely about everything are missing out. But only if you're a tireless, purposeless malcontent. A rebel without a clue.

And thus ends today's session of shouting into the aether. Thanks for tuning in.